It's certainly a lot easier and more efficient to just use the fill tool to slap on a few PBR materials and the results of doing so can be quite effective, but you do still have the option to paint additional details on PBR materials by hand and there are some texture artists who use those capabilities to great effect.
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This allows even an anti-artist like myself to texture objects rather efficiently.Īt the risk of meandering off-topic for a moment, while you're 100% right that hand painting PBR isn't typical behaviour, in the case of 3D Coat there's actually quite a few professional 3D artists/designers that specifically use 3D Coat for hand painting textures as it's arguably one of the best pieces of software for that particular purpose due to it's similarity to photoshop in regard to texturing tools and features. Use layers to add damage/rust/irregularities. You don't go "oh wood looks like this and its specular highlights are like this, let me paint them by hand" no, you select a wood type material from your library, tweak it a little and apply it to a 3d model using brushes/fills/other tools (all nicely realtime). If you use a program like Substance Painter/ 3D Coat / etc you have vast libraries of materials and presets ready to be used. Modern PBR workflow is the opposite of painting by hand. But I do wonder if this is yet another nail in the DIY SL creation coffin. Speaking as someone who does fairly often make her own textures, I'm beginning to get the sense that the workflow for this is going to be a bit intimidating, and will require a degree of artistry (i.e., painting by hand) and technical know-how that is beyond me, at least at the moment. I've searched Google images too and they all do mostly look like a bunch of marbles but I couldn't find any finished product.
Why he didn't texture much I'm not sure but I don't think I'm going to learn much randomly trying to hit videos on YouTube. In the photo I shared from that video it kind of threw me because his stuff doesn't look textured so I thought it meant it is just colored. Yes, that's the bits and pieces thing I'm trying to find the words for. This means that you don't get persistent shadows where they don't make sense. It is applied at the viewer's discresion, so if the scene lighting makes sense to have a shadow in a given area, the map will be applied. Here's an example of the UV islands at work in the base colour map (Not a particularly exciting map, but it's the cleanest example I've got) The examples you see online are flat textures for simplicity, as the idea is you'd get that texture and paint it onto a model in (Insert your favorite 3D program here).
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